pt 59: SEMPER SEMPER (nostalgie)

Scampi: At arm’s length.

Peter: What are you doing?

Scampi: Thinking.

Peter: Out loud.

Scampi: In part.

PAUSE.

Scampi: I was thinking about fish tanks, you know, aquariums.  And about skating.

Peter: I wonder if I should cut my hair.

Scampi: (Funny you should mention that.)  And about the passage of time.

Peter: [STARES AT HIS OWN REFLECTION, PENSIVELY.]

Scampi: Your hair grows.  The seasons come and go.

Peter: Quite right.

Scampi: You cut your hair.  The summer comes.

Peter: I hope you’re not implying a causal relationship between those two events.

Scampi: I’m not.

Peter: Good.

Scampi: But I’m not not either.

Peter: I have no idea what that means.

Scampi: Oh Peter.  Humph.

PAUSE.

Scampi: Are you in a competition for Vainest Man of the Year?  Or something?

Peter: I am not vain.

Scampi: Then why do you keep staring at yourself?

Peter: I am not.

Scampi: What are you doing then?  Polishing the mirror?

Peter: I decline to comment.

Scampi: A damning indictment if I ever heard one.

Peter: One has doubts.

Scampi: You betcha, Thomas.

Peter: My name is not Thomas.

Scampi: Oh, right.  Sorry, Narcissus.

STONY SILENCE.

Scampi: When you massage your temple in that ferocious manner, it makes you look like someone with a headache.

Peter: Mm.

Scampi: What a rare and tender coincidence.

Peter: [CLEARS HIS THROAT.]

Scampi: You know, one thing I was thinking was more about a more kind of general thing.  Being in the world, the skating rinks.  Fires in the oil drums.

Peter: One wonders where you acquire such imagery.

Scampi: It’s true.  You don’t think it’s true but it is.

Peter: What is truth?

Scampi: O Peterocrates!  Whither go the tiny flapping sparrows of our immortal souls?

Peter: aUrm.

Scampi: I have no idea about that sort of noise.

Peter: Excuse me.

Scampi: I was thinking about tin cans clanging.  Terrariums and turtle tanks.

Peter: You sure were a busy little thinker today.

Scampi: Ain’t little.

Peter: Forgive me.  Compact.

Scampi: Yes, it’s been pretty hopping at the thinktank today.

Peter: This much is clear.

Scampi: What’s the first thing you remember?

Peter: About what?

Scampi: I’m not sure.

Peter: Okay.

Scampi: Sometimes, I can’t remember the first thing.  About anything.  Har har.  How about today?

Peter: How about it?

Scampi: Do you remember it?

Peter: As though it were yesterday.

Scampi:  Oh yeah.  High-larious.

PETER IS UNACCOUNTABLY PLEASED WITH HIMSELF.

Scampi: The streetlamps are coming on.

Peter: They are.

Scampi: Can I touch your face?

HARD PAUSE.

Scampi: Or your arm?

Peter: No.  Why?

Scampi: I just want to check.

Peter: Check what?

Scampi: To make sure.

Peter: That you’re not experiencing sensory dissonance?

Scampi: If that’s how you want to see it.

Peter: I don’t want to see it.

Scampi: There are seven buttons on your shirt.

Peter: I believe it.

Scampi: You don’t have to believe it.  Count ‘em.

Peter: Perhaps at a later juncture.

Scampi: Have it your way.  The streetlamps are coming on.

Peter: As you so keenly previously observed.

Scampi: I did.  And in the lamplight we are two fluttering bits of gauze.  With seven buttons.  And the earth’s gravitational pull.

Peter: It does tend to be present.

Scampi: Very dependable.  Old gravitas.

Peter: I’m not old.

Scampi: Yet.

pt 80: OLD TIME

Scampi: We were having lunch this one time.

PAUSE.

Scampi: Peter?

Peter: Yes?

Scampi: We were having lunch.

Peter: I believe it.

Scampi: Ugh.  Anyway, out in a restaurant.  And you were like, The waitress is a ninja.

Peter: I was?

Scampi: She was stealthy.  She crept up.

Peter: Oh.

Scampi: Do you remember this?

Peter: No.

Scampi: Well, I do.

Peter: Yes.

Scampi: Nice weather we’re having.

Peter: Oh yes.

Scampi: Shit.

Peter: What?

Scampi: I dunno.

Peter: Okay.

Scampi: Fresh herbs for summer salads.  Here today, gone tomorrow!

Peter: Are you reading something?

Scampi: No.

Peter: Oh.

Scampi: I’m just saying.

Peter: I see.

Scampi: Halfway to Mexico, and what do we do?

Peter: I don’t know.

Scampi: We stop going there.

Peter: Is that what happened?

Scampi: Well, I don’t know.

Peter: Oh.

Scampi: We could take a boat.  To England.

Peter: From where?

Scampi: I dunno.  Plymouth Rock?

PETER, A STUFFED PEACOCK, DISAPPROVES.

Scampi: Hee hee.

Peter: What?

Scampi: The world, as they say, is your oyster.  Did you know that?

Peter: I did not.

Scampi: Why, don’t you think it’s true?

Peter: As an apt metaphor?

Scampi: Who cares?

Peter: What?

Scampi: The world as a crustacean, the world as a shellfish.  You’ve got a problem with this?

Peter: Well.  I.

Scampi: Don’t you feel lucky?

Peter: Ah.  Certainly.

Scampi: Yeah, well.  You don’t act like it, buddy.

Peter: What is that supposed to mean?

Scampi: Nothing, nothing.

PAUSE.

Scampi: The luck, the luckiness.  It sneaks up on you like a ninja waitress.  One minute you’re finishing your tea, the next minute the bill is in front of you, right there on the table.

Peter: Right.

Scampi: How the hell did this get here? you say.  It was the goddam ninja waitress.

Peter: Some service industry professionals are certainly very skilled at their métier.

Scampi: Poppycock!

PETER SCRATCHES HIS HEAD.

Scampi: Look at you.

Peter: Me?

Scampi: Clawing away.

Peter: It itches.

Scampi: The truth always does.

Peter: This is incorrect.

Scampi: Itchy itchy scratchy scratchy.  That’s you.

Peter: I disagree.

Scampi: As a default.  We know.

PAUSE.

Scampi: When you think of walks we took, over the years.

Peter: I don’t.

Scampi: Harumph.  The seasons all roll together, don’t they?

Peter: We live in a temperate zone.

Scampi: Maybe you do.

Peter: We do.

Scampi: The winter, the spring.

Peter: Temperate seasons.

Scampi: The years.

Peter: Yes.

PAUSE.

Peter: You’re pacing.

Scampi: I am.

Peter: It’s hurting my head.

Scampi: So what?

PAUSE.

Scampi: I’m sorry.

Peter: Acknowledged.

Scampi: Shall we stick our head out the window?

Peter: Our head?

Scampi: Yes.  Your head, my head.  Should we test the air?

Peter: Perhaps.

Scampi: Not today.

Peter: No.

Scampi: The winds of change are blowing.

Peter: Excuse me?

Scampi: They are rustling the herbs in the flowerpots.

Peter: Oh.

Scampi: They appear at your door without warning.

Peter: I see.

Scampi: And then they disappear!

Peter: Right.

Scampi: And you’re stuck in the doorway, holding the bill.

Peter: What bill?

Scampi: You pretend you’re not following this train of thought.

Peter: I do not.

Scampi: You do.  But your amateur theatrics don’t fool me!

Peter: This is bordering on hysteria.

Scampi: Hysterical.

Peter: I presume that you are cognisant of the time?

Scampi: I am.  

pt 78: THE IONIZED TWO-STEP

Scampi: The wind, it blows.

Peter: Hm?

Scampi: What direction is the wind coming from?

Peter: Mm.

Scampi: Don’t you know?

Peter: Of course I know.

Scampi: Well then?

Peter: Well.  That way.

Scampi: [ROLLS EYES.]

PAUSE.

Scampi: I can tell you something.

Peter: Likely.

Scampi: Peter?  Would you like to know what it is?

Peter: Do I have a choice?

Scampi: The wind is blowing over the rooftops.  The wind is rattling the branches.

Peter: Okay.

Scampi: But what about me?

Peter: You are not doing either of these things.

Scampi: I am being buffeted about by the wind.  Paff boff.

Peter: You look rather stationary at present.

Scampi: That’s exactly the sort of thing you would think.

Peter: I do not deny it.

Scampi: That’s exactly the sort of thing you would say.

Peter: It is.

Scampi: Do you know how to waltz?

Peter: No.  Not exactly.

Scampi: Do you know how to waltz imprecisely?

Peter: Perhaps.

Scampi: Like, just approximately?

Peter: Possibly.

Scampi: What’s that mean?  You can waltz in two four time?

Peter: Where is this avenue of inquiry leading?

Scampi: It’s leading the waltz.  That you are incapable of leading yourself.  Apparently.

Peter: I see.  I am being browbeaten over the issue of ballroom dance techniques.

Scampi: You wish.

Peter: I certainly do not.  I do not wish to be browbeaten.

Scampi: Well then.  Don’t be.

Peter: SIGHS.

Scampi: I’m lost.

Peter: I see.

Scampi: You see?  Are you lost?

Peter: No.  Yes.

PETER GROWS FLUSTERED, AS A COCKATOO.

Scampi: The wind is blowing from over there.  Do we point our nose into the wind?  Do you think?  Do we keep the wind at our back?

Peter: What is this ‘we’?

Scampi: You’re lost.  I’m lost.  We’re trying to get unlost.  Aren’t we?

Peter: Perhaps.

Scampi: I mean, what else are we supposed to do?  Do you want some lunch?

Peter: I do.

Scampi: Oh.

PAUSE.

Scampi: I was in the country.

Peter: Yes.

Scampi: Recently.

Peter: Oh?

Scampi: Yes.

Peter: The country.  Bucolic.

Scampi: Rather.  Theoretically.

Peter: We have all been known to take a bucolic sojourn.

Scampi: We have.  There were likely many species.

Peter: Of?

Scampi: Birds.  Or whatever.

Peter: Birds?

Scampi: I guess.

PAUSE.

Scampi: There’s something missing.

Peter: From what?

Scampi: Or maybe something extra.

Peter: Which is it?

Scampi: The time signature would clarify this point.

Peter: Are we speaking of musical notation?

Scampi: Maybe.

PAUSE.

Scampi: If we are lopsided, top-heavy.  If we are empty.

Peter: Yes?

Scampi: Does it make a difference?

Peter: How do you mean?

Scampi: The negative charge, the positive charge.

Peter: Are you speaking of isotopes?

Scampi: I am speaking of equilibrium.

PETER SHUDDERS.

Scampi: Precisely.  I don’t know if it matters to which side Pisa is leaning.

Peter: It would perhaps matter to the gentleman underneath it.

Scampi: But the tower itself.

Peter: Yes?

Scampi: It’s falling.

pt 137: THE MAN WITH TWO UMBRELLAS, PART II

Scampi: Remember when we saw that man with two umbrellas?

Peter: Perhaps.

Scampi: And we were like, Why does he have two umbrellas? It’s not even raining.

Peter: Why did he have two umbrellas?

Scampi: Maybe he was carrying an umbrella to his wife.

Peter: What a gentleman.

Scampi: That’s right.

PAUSE.

Scampi: His wife was at home in the gazebo with no umbrellas, waiting.

Peter: I suppose that is a possibility.

Scampi: Why not?

Peter: Indeed.

Scampi: I suppose it doesn’t hurt to be prepared.  Does it?

Peter: Doubtless, there are more painful trials to be withstood than carrying an extra umbrella.

Scampi: I’ll say.

Peter: That was a good day.

Scampi: Why do you say that?

Peter: I do not know. Making conversation?

Scampi: Humph.

PAUSE.

Scampi: Remember how I thought perhaps he was carrying his extra umbrella to his former self in case it rained on them both in the future?

Peter: That does sound familiar.  I suppose.

Scampi: Yes. We arm ourselves against the future.  We arm ourselves in solidarity with the past, even as we poke it with the sharp butts of our umbrellas.

Peter: We do?

Scampi: We do.  We have like, seventeen umbrellas.  Jesus Christ.  We’re like a goddam umbrella emporium around here.

Peter: You seem agitated.

Scampi: Oh ho! I wonder what’s giving you that idea!

Peter: Well,

Scampi: The notions you entertain, my friend.  Positively outlandish.

Peter: Well, you do seem a trifle – vigorous.

Scampi: Join the living, Peter.  We are a vigorous tribe.

Peter: Yes.

Scampi: Don’t look so put off.  You adore the filthy universe.

Peter: Please do not speak of the universe in this way.

Scampi: You love it.

Peter: I confess, I do.

Scampi: Good.  Good.

PAUSE.

Scampi: Imagine.

Peter: Yes?

Scampi: Two hundred years from now, or something, some lady’s waiting for you in the gazebo.  Waiting for some raingear to greet the day.

Peter: This is some sort of whimsical temporal jaunt, I take it?

Scampi: You certainly do. Throw an extra anorak in your satchel and embrace the future!

Peter: Ahem.

Scampi: Is your throat sore?

Peter: Not quite.

Scampi: Excellent.  We should carry extra lunches.

Peter: Are we carrying any lunches?

Scampi: We might be.  Who doesn’t like lunch?

Peter: Late risers, perhaps.

Scampi: No, no.  Late risers simply prefer late lunches.

Peter: Ah.

Scampi: We will carry extra lunches for our future selves.  And extra socks.  And extra brains!

Peter: I am not following this tangent.

Scampi: It’s not a tangent.  It’s a sidestep.

PETER SIGHS.

Scampi: Have you had too much sun?

Peter: No.

Scampi: Are you sure?

Peter: Yes.

Scampi: I think you’ve had too much sun.

Peter: Good for you.

Scampi: Thank you.

PAUSE.

Scampi: Would you like this parasol?

Peter: [alarmed] Where did you get that?

Scampi: [SHRUGS.]

Peter: I suppose a little shade would not go amiss.

Scampi: Go on.

Peter: Thank you.

Scampi: Any time.

Peter: What was that?

Scampi: You heard me.

Peter: Mm.

Scampi: Let’s just sit for a while.

Peter: If you insist.

Scampi: The pond is so still.

Peter: Pond!

Scampi: It’s right in front of you.

Peter: Yes.  It is.

Scampi: Look at the surface.  Glassy.

Peter: I didn’t know there was a pond here.

Scampi: There is.

Peter: [drawls] Lovely afternoon.

Scampi: Rather.

Peter: Shall we stay here a while, do you think?

Scampi: Certainly.  Just until yesterday.

pt 120: GAMBOL

Scampi: Let’s put out coats on.

Peter: Our coats?

Scampi: Yes.  We each get one.

Peter: Ahem.

Scampi: Standard issue.

PAUSE.

Scampi: And our scarves.  Let’s go out into the world.

Peter: Perhaps later on.

Scampi: Later on?  What’s wrong with you?

Peter: That is a personal question.

Scampi: You wish.  You don’t want to go out into the world?

Peter: Perhaps.

Scampi: What are you, scared?

Peter:  No.

Scampi: Oh, I see.

Peter: What?

Scampi: Nothing.  I guess you just – don’t want to go for a walk.

Peter: Yes.

Scampi: For whatever reason.

Peter: That is correct.

Scampi: Do you want some more coffee?

Peter: Yes.

Scampi: This is a good season to walk amidst the weather.

Peter: Certainly.

Scampi: To look up at the sky, for example.

Peter: This is always possible.

Scampi: That’s what you think.

Peter: It is.

Scampi: Yes.

PAUSE.

Scampi: One never encounters you listening to motown music.  I’ve noticed.

Peter: Well.

Scampi: I’m just saying.

Peter: What are you saying?

Scampi: I dunno.  The coffee is weak.

Peter: Yes.

Scampi: Sorry.

Peter: SIGHS.

Scampi: We should dance.

Peter: [alarmed] Right now?

Scampi: No.

Peter: Ah.

Scampi: But we should.  Sometime this year.

Peter: To what end?

Scampi: It’s the right thing to do.

Peter: I am unsure.

Scampi: I know.  I’ve been thinking about raccoons.

Peter: I see.

Scampi: Not that much, though.

Peter: Well, thank you for keeping me informed.

Scampi: No problem.  I’m here for you, Peter.

PETER RUBS HIS EYES.

Scampi: Rubbler.

Peter: Hm?

Scampi: Yes, this coffee is weak.

Peter: Yes.  You spoke about this earlier.

Scampi: I know.

PAUSE.

Scampi: Do you know what a lute is?

Peter: Yes.

Scampi: Hm.  It has to do with cats’ guts and love.

Peter: Of course!  What doesn’t?

Scampi: None of that: I’m just speaking about like, mid-century romantic-type ballads.  Minstrels and such.

Peter: Mid what century?

Scampi: An old one.  Say, sixteen.

Peter: Ah.

Scampi: Finger plucking.  Courtly love.

Peter: I suppose you no longer wish to go for a stroll?

Scampi: I never said that.

Peter: Said what?

Scampi: I didn’t say I didn’t want to go for a stroll.

PAUSE.

Scampi: Do you want to?

Peter: Perhaps.

Scampi: It’s still daylight.

Peter: Yes.

Scampi: We could walk down by the river.

Peter: What river?

Scampi: I don’t know.  The Euphrates?

Peter: The Danube?

Scampi: Absolutely.  Lute-lee.

Peter: Pum-pum-pum-pa-pum-

Scampi: Pum-PA-pum-PA!  A waltz.

Peter: Where have I placed my necktie?

Scampi: Forget it.  This is an informal outing.

Peter: Ah.

Scampi: It is a beautiful day.

Peter: Yes.  I feel an irrationally excessive surge of ill-will.

Scampi: Oh?

Peter: This is unavoidable, it would seem.

Scampi: Maybe I can help.

Peter: No.

Scampi: Oh, look!  A sparrow.

Peter: Indeed.

Scampi: Sh.  Stay still.

Peter: Umph?

THE SPARROW ALIGHTS ON PETER’S STANDARD ISSUE COAT.  THE LIGHT ADJUSTS.

Scampi: Ah.

Peter: Well, that was interesting.

Scampi: You made a friend.

Peter: I did?

Scampi: I think so.  Yes.

pt 91: THE BROOD MARE IN THE SULTAN’S STABLES

Scampi: When I was a child.

 

Peter: When was this?

 

Scampi: Very hilarious.

 

Peter: I am simply looking for a degree of clarity.

 

Scampi: A modicum, if you will.

 

Peter: Could be.

 

Scampi: Could be.

 

PAUSE.

 

Scampi: You like adventure stories.

 

Peter: Oh?

 

Scampi: At sea.

 

Peter: When I was a boy.

 

Scampi: Yes.

 

Peter: There was a certain appeal.

 

Scampi: Are you suggesting that the appeal is gone?

 

Peter: I am no longer a boy.

 

Scampi: No debate there.

 

Peter: I didn’t say there was.

 

Scampi: And I agree wholeheartedly.

 

PAUSE.

 

Scampi: With the whole of my heart.

 

PETER CAREFULLY PLACES HIS HANDS INTO HIS POCKETS.

 

Scampi: I like tales of adventure.  Myself.

 

Peter: [sighs] You certainly do.

 

Scampi: Feats of bravery, clever castaways.

 

Peter: Uh.

 

Scampi: I am for it.  You know.

 

Peter: Fairy tales.

 

Scampi: Adventure.

 

Peter: What are you driving at?  May I ask?

 

Scampi: Why do we always have to talk about what I’m driving at?

 

Peter: One wonders.

 

Scampi: Coffee?

 

Peter: No, thank you.

 

Scampi: Really?

 

Peter: Yes.  Really.

 

Scampi: Fine.

 

PAUSE.

 

Scampi: What do you think of harmony?

 

Peter: Uh, harmoniousness.  Or, possibly, two or more individuals producing complementary note combinations.

 

Scampi: What are you, a dictionary?

 

Peter: No.

 

Scampi: Right.  I said what do you think about harmony.  Not what is it.

 

Peter: How do these two subjects differ?

 

Scampi: What you think about something and what it is?

 

Peter: Yes.

 

Scampi: Come on.

 

Peter: I am here.

 

Scampi: I wonder sometimes.

 

PETER SHRUGS, IRRITABLY.

 

Scampi: Oh, very nice.

 

Peter: What?

 

Scampi: Nothing.

 

PAUSE.

 

Scampi: Have you ever held a baby?

 

Peter: Yes.

 

Scampi: That’s all?

 

Peter: Have I misunderstood the question?

 

Scampi: I mean, Yes?  That’s all?

 

Peter: I have held a baby.

 

Scampi: What did you think about it?

 

Peter: I was very careful.

 

Scampi: Did this happen only once?

 

Peter: On each occasion.

 

Scampi: God.

 

Peter: You do like to invoke the Judeo-Christian deity.

 

Scampi: You like to presume.

 

Peter: I see.

 

Scampi: Ah, a clearing.

 

Peter: You call this a clearing?

 

Scampi: What do you call it?  A meadow?

 

Peter: I might.

 

Scampi: You might.

 

Peter: Yes.

 

Scampi: Well, do you?

 

Peter: I could.

 

Scampi: Look, Peter.  A meadow!

 

Peter: This is very nice.

 

Scampi: Let us rest awhile.

 

Peter: Where?

 

Scampi: How about here?

 

Peter: Hm.

 

Scampi: Or here?

 

Peter: Yes.  Or perhaps just there.

 

Scampi: Okay.

 

PAUSE.

 

Scampi: I can hear the humble-bees.

 

Peter: What?

 

Scampi: Buzz buzz.

 

Peter: Ah.

 

Scampi: The clover.  The honeyed air.

 

Peter: Mm.

 

Scampi: Are you sleeping?

 

Peter: No.

 

Scampi: Do you know a story?

 

Peter: Yes.

 

Scampi: Tell it!

 

Peter: Perhaps another time.

 

Scampi: Why not now?

 

Peter: Now is not the time.

 

Scampi: Why not?

 

Peter: B- – snurfle – vor – – fleece.

 

Scampi: What?  What?

 

Peter: My voice becomes muffled when my hat is resting on my face.

 

Scampi: I’ll say.

 

PAUSE.

 

Scampi: I like stories.

 

Peter: You certainly do.

pt 127: BEFORE THE CITY FELL, WHEN WE LOVED ONE ANOTHER

Scampi: Are you aware of how the twits of Russia felt about poetry?

Peter: I did not realise that you harboured a dislike for Russians.

Scampi: What?

Peter: Do you have something against Russians?

Scampi: I love our Russki brethren.  I was referring to the Soviet jerks.

Peter: Who?

Scampi: Sending poets off to the gulag for what?  Being decadent and metaphysical.  What do you think about that?

Peter: That is truly unfortunate.

Scampi: Unctuous words on troubled waters.

Peter: Pardon?

Scampi: I hope I’m not being too decadent and metaphysical for you, Herr Kommandant.

Peter: That is not Russian.

Scampi: What a linguist you are today.  Boy oh boy.

Peter: [SNIFFS DELICATELY, LIKE A VICTORIAN LADY]

Scampi: Ho, ho.

Peter: What is the joke, pray tell?

Scampi: Oh, nothing.

PAUSE.

Peter: Where did we go wrong?

A SPOON CLATTERS TO THE FLOOR.

Scampi: We you and me?  Or we the human race?

Peter: Let’s start small.  We us.

Scampi: E quindi uscimmo a riveder le stelle!

Peter: I do not know what that means.

Scampi: Do you know what Dante means?

Peter: You behave as though I mistake myself for a classical scholar.

Scampi: You behave as though you mistake yourself for a classical scholar.

PAUSE.

Scampi: “And then we emerged to see the stars again.”

Peter: Oh?

Scampi: To gaze upon the stars.

Peter: A noble pursuit, no doubt.

Scampi: You say that as though there were doubt involved.

Peter: This was unintentional.

Scampi: It’s all unintentional.  That’s the problem.

Peter: This could be a problem.

Scampi: It certainly could.

Peter: Yes.

Scampi: You have seen the stars before, I presume?

Peter: The stars?

Scampi: Viz., the constellations.  Such as Andromeda.

Peter: Hm?

Scampi: It is permitted to see the stars.

Peter: Lovely.

Scampi: Yes.  The Andromeda Galaxy is very far away.

Peter: Correct.

Scampi: Technically.

Peter: I believe it is also very far away in layman’s terms.

Scampi: What would you call a collision with the Milky Way?  In layman’s terms.

Peter: Well.  Although I am not an astronomer.

Scampi: You know who’s an astronomer?

Peter: A number of persons are astronomers.

Scampi: Says you.  Abd el-Rahman al-Sufi.  That’s who.

Peter: Are you trying to hint at something?

Scampi: Preposterous.

Peter: If you’ll excuse me, there seems to be a theme here.

Scampi: Themes, my friend, are one thing.  Hinting, on the other hand, is not my strong suit.

Peter: [LAUGHS].

Scampi: Humph.  You know, I don’t picture you looking at the stars.

Peter: I can look at the stars as well as the next man.

Scampi: It’s got nothing to do with looking well.

Peter: Thank you for keeping me aware of your fascinating world view.

Scampi: A man could die and leave all his letters behind.

Peter: This is something that could happen.

Scampi: In the pockets of the populace.  A man could die and have his letters burned in Vienna.

Peter: These are all possibilities.

Scampi: How do you feel about your correspondence being published in the paper?

Peter: [alarmed] Is my correspondence being published in the paper?

Scampi: No.

Peter: I see.

Scampi: I mean at some future date.

Peter: I have nothing to hide.

Scampi: Oh ho!

PETER GLOWERS.

Scampi: The milky circles over our heads.

Peter: Haloes?

Scampi: If you like.

PAUSE.

Scampi: Can you fly?

Peter: [sharply] Why would ask that?

Scampi: I dunno.  Just curious.

Peter: I have no idea why you would imagine that I could fly.

Scampi: I was just asking.  Pigeons can fly.

Peter: That has been determined.

Scampi: We’ve all been determined.  Some time.

Peter: I suppose.

Scampi: But have we all been pigeons at some point?

Peter: No.

Scampi: How can you be so sure?

Peter: We have not been pigeons.

Scampi: But we have been stars.

pt 95: _______

Scampi: Good to see you.

Peter: I realise you like to keep a diary.

Scampi: I don’t.

Peter: Well, whatever you like to call it.

Scampi: What?

Peter: I did not realise this was such a sensitive subject for you.

Scampi: I have no idea what you’re on about.  But, what do you think?

Peter: Of inaccurate records?

Scampi: No: Eugene?

Peter: Who?

Scampi: Do you think Onegin really meant to kill Lensky?

Peter: I do not follow that sort of thing.

Scampi: That’s ridiculous.

PAUSE.

Scampi: He can’t really have wanted to.  But then why did he do it?

Peter: I do not know.

Scampi: Clearly.

Peter: Well, it’s nice to see you, too.

Scampi: We see each other all the time.  So what?

Peter: I feel that this is not the case, in fact.

Scampi: Stop bickering.

Peter: SIGHS.

Scampi: Some people [astronomers] felt that it was divine, being able to foretell the motions of the planets.  The heavens.

Peter: Divine?  You mean in the Middle Ages?

Scampi: L’Âge des ténèbres!

Peter: Hm?

Scampi: Maybe I’m talking about the Reformation.

Peter: Perhaps you are.

Scampi: After the days of darkness.  The days of light!

Peter: The Enlightenment?

Scampi: I’m not saying we have to dwell on history or anything.  Around here.

Peter: What are you saying?

Scampi: I said it already.  I distinctly mentioned astronomy.

Peter: I didn’t hear you.

Scampi: Humph.  Do you know what a contrarian is?

Peter: I do.

Scampi: No you don’t.

Peter: Oh?

Scampi: A contrarian is someone who buys stocks.

Peter: I believe the term for that individual would be “stockbroker”.

Scampi: Hilarious.  Someone who buys stocks when others are selling and sells when others are buying.

Peter: Where did you find this information?

Scampi: Why?  Are you jealous?

Peter: No.

Scampi: Well, there you have it.

Peter: That is not an answer.

Scampi: Not for King Herod, anyway.

Peter: Are you suggesting that I am a fop?

Scampi: No.  Impossible.

Peter: I see.

Scampi: I just think it’s fun when we learn new words.

Peter: Education is important.

Scampi: And no one knows this better than you!  Har har.

PAUSE.

Scampi: I can’t go on.

Peter: What was that?

Scampi: I said,

Peter: You look tired.

Scampi: Hardly.

Peter: Slightly.

Scampi: One brick on top of the other.  This is how you build a house.

Peter: I thought we discussed the finer points of architecture previous to this juncture.

Scampi: I thought there was no architecture previous to this juncture.

Peter: How so?

Scampi: What a delightful fresco!

Peter: Pardon?

Scampi: I’m being a lady in Italy.  Looking at the buildings.

Peter: Ah.

Scampi: That’s right.  We could go to Italy.

Peter: It is certainly within the realm of possibility.

Scampi: What did you say?  I know what you said.

Peter: I see.

Scampi: Well, let’s go!

Peter: Ah, there are a few complications, of course.

Scampi: We can work as deckhands, on a steamer.  We can work in a café, on the Arno.

Peter: The plausibility.

Scampi: Yes?

Peter: It seems a stretch.

PAUSE.

Peter: I’m sorry.  I don’t mean to upset you.

Scampi: Does it matter if you mean to?

Peter: It does, I believe.

Scampi: And then Tatyana was married.  She rebuffed his advances.

Peter: Is this another Russian literature reference?

Scampi: Time is moving, Peter.

Peter: In what sense?

Scampi: It’s like a river.  Even if we just sit there, it moves us along.

Peter: I suppose this depends on the river in question.

Scampi: It’s a deep one.

Peter: Well.

Scampi: That, too.

pt 75.5: DESERT EXPLORERS

PETER CHUCKLES.

 

Scampi: What are you laughing at?

 

Peter: I don’t know where you’re going, either.

 

Scampi: Of course you don’t.

 

Peter: I surely do not.

 

Scampi: But we’re in this together.

 

Peter: We are?

 

Scampi: If we aren’t in this together, I have no idea what you’re doing here.

 

Peter: [scratches his head] Good point.

 

PETER OFFERS HIS HAND. SCAMPI SHAKES IT.

 

DEMIPAUSE.

 

Scampi: Uh.

 

Peter: Hm?

 

Scampi: Are we shaking hands here?

 

Peter: Not any more.

 

Scampi: It just seemed a little. Uh.

 

Peter (hisses): Protracted?

 

Scampi: Why are you hissing at me?

 

Peter: The weather’s good.

 

Scampi: So what?

 

Peter: I’m a little restless.

 

Scampi: In that case, I say we head over that dune.

 

Peter: Why?

 

Scampi: I want to see the other side.

 

Peter: Ah.

 

Scampi: So do you.

 

pt 131: BREAKWATER

Scampi: If you are searching for a safe harbour, let me give you some advice.

 

Peter: What could possibly entice you to believe that I am in need of a harbour?

 

Scampi: So, you don’t want my advice?

 

Peter: That is not what I said.

 

Scampi: So you do want my advice.

 

Peter: Well,

 

Scampi: I advise you, most firstly, to identify what it is you wish to be safe from, before you start ferreting around amongst the breakwaters.

 

Peter: Ahem. I would like to advise you, most firstly –

 

Scampi: What a strange way of putting things.

 

Peter: Pardon me?

 

Scampi: Not that we all couldn’t use a little shelter from the storm. This theme has been rigorously explored in popular song.

 

Peter: [SNIFFING ARISTOCRATICALLY.] Popular song?

 

Scampi: Don’t try hoaxing me. You know all about it.

 

PETER STROLLS THROUGH THE ENGLISH GARDEN IN HIS HEAD.

 

Scampi: Oh, are the robins out?

 

Peter: What’s that?

 

Scampi: Doctors have been known to do good work.

 

Peter: Well, yes.

 

Scampi: Doctor Grenfell, for example.

 

Peter: Yes.

 

Scampi: I know that you do not know who that is.

 

Peter: That is not the accurate statement it purports to be.

 

Scampi: Purports! What’s that, the noise a tortoise makes when it walks?

 

Peter: Absurd.

 

Scampi: Doctor Grenfell worked in Labrador. He was a helper, you know.

 

Peter: Helping is important.

 

Scampi: For those who take the Hippopotamus Oaf, it is.

 

Peter: Now, really.

 

Scampi: What? What?

 

Peter: I refuse to rise to this bait.

 

Scampi: I like how the Hypostatic Oak functions as bait, to you. Such a gulping carp, you are.

 

Peter: [Hippocratically] I am not a carp.

 

Scampi: And I am not a hypocrite. Tee hee.

 

PAUSE.

 

Scampi: Naturally, fish do not have legs.

 

Peter: Tadpoles do.

 

Scampi: Tadpoles are not fish. And neither are we, for that matter.

 

Peter: Fishy.

 

Scampi: Hee haw. How galvanising. Peter Punster’s back in action!

 

Peter: That is not my surname.

 

Scampi: Oh, really?

 

Peter: Really.

 

Scampi: What is your surname, then?

 

Peter: I decline to mention it.

 

Scampi: Got something to hide, have we?

 

Peter: No.

 

Scampi: Trying to be all incognito, I see. Are you looking for work as a private eye, perhaps?

 

Peter: I am not. Each pronoun is as private as the next, to my way of thinking.

 

Scampi: Such a clever detective.

 

Peter: I am not a detective.

 

Scampi: Agreed. No doubt you are simply looking for a place to rest.

 

Peter: I?

 

Scampi: Aye.

 

THE LAPPING OF WAVES IS VERY CALMING, TO SOME.

 

Peter: What’s that?

 

Scampi: Calm down. It’s just the sound of the water.

 

Peter: What water?

 

Scampi: Relax. Honestly.

 

Peter: There is nothing honest about an individual of my temperament engaging in relaxation.

 

Scampi: [CHORTLES.]

 

Peter: I do not see what is so terribly funny.

 

Scampi: This may well be the icing on the cake.

 

PAUSE.

 

Scampi: You know when you have a thought, and a lightbulb illuminates above your head?

 

Peter: I am not a cartoon.

 

Scampi: Really?

 

Peter: [uncomfortably] Yes.

 

Scampi: You know, you should stop defining yourself in negative terms. It can’t be good for your constitution.

 

Peter: SIGHS.

 

Scampi: Always a-sighing, like a maiden on the seashore.

 

A WORDSWORTH-SHAPED LIGHTBULB ILLUMINES ABOVE PETER’S HEAD.

 

Peter: Eh? What?

 

Scampi: [reflectively] I suppose we have Nikola Tesla to thank for that.

 

Peter: Stop being so reflective. It hurts my eyes.

 

Scampi: Sorry.

 

Peter: Yes well.

 

Scampi: We can help each other, of course.

 

Peter: Theoretically.

 

Scampi: That’s what friends are for.

 

Peter: Who told you this?

 

Scampi: A little bird.

 

Peter: A bird?

 

Scampi: Right. Phylum: Chordata.

 

Peter: Ah ha.

 

Scampi: Backbone is important.

 

Peter: When classifying animals.

 

Scampi: Or when lost at sea.

 

Peter: Are we lost at sea? Is that what you’re saying?

 

Scampi: No, no.

 

Peter: Oh. Ok.

 

Scampi: Wouldn’t I tell you if we were?

 

Peter: Uh. Yes?

 

Scampi: This is a beautiful English word.

 

Peter: It is?

 

Scampi: Yes.