pt 143: THE OCELOT & THE EAGLE

Scampi: It should be remembered of course that nothing is certain.

Peter: Certainly!

Scampi: Oh, look who’s decided to go all jocular all of a sudden.

Peter: Ahem.

Scampi: I, of course, am busy feeling up the grooves of history with my anthropologic tongue.

Peter: I see.

Scampi: It’s a textured approach.

Peter: Would you like some tea?

Scampi: Damn right.

PETER WRINKLES HIS NOSE IN DISTASTE LIKE AN ADOLESCENT SKUNK.

Scampi: Whatsa matter?

Peter: There is no matter.

Scampi: Except for the matter at hand, which is that you entertain the delicacy of a gourmand. Nobody knows why, mind you.

Peter: What’s that?

Scampi: It would be entirely possible to doze off in the shade of these reeds.

Peter: What reeds?

Scampi: The ones on the riverbank, of course.

Peter: I see.

Scampi: What I’m trying to explain, you know.

Peter: Yes?

Scampi: Well, it’s all very here and there. That’s all I’m saying.

Peter: Ah.

Scampi: There’s no need to emit such a noise. I am not a dentist.

Peter: [huffily] I have never accused you of dentistry.

Scampi: Humph.

PAUSE.

Scampi: Sometimes I feel so completely surrounded by history. As though it’s in my living room.

Peter: From my well-stuffed and starched perception of the universe, I can tell you that history is behind you. And the future is ahead, and no one is in your living room.

Scampi: I’ll believe that when I see it.

Peter: Time proceeds in a linear fashion.

Scampi: You have no way of knowing what’s going on in my living room while you loll about on a riverbank.

Peter: [peevishly] Nobody said we were on a riverbank.

Scampi: False! History cuddles you from all sides, like the words of your grandmothers.

Peter: Mm.

Scampi: You just have to run through it.

Peter: Run through what?

Scampi: I don’t know.

PAUSE.

Scampi: To get to the other side?

Peter: Pardon?

Scampi: I can’t think straight.

Peter: Yes. This is readily apparent.

SCAMPI TOSSES SPINY DARTS AT PETER’S HEAD, PLAYFULLY.

Peter: Stop that.

Scampi: Indeed. The people loved their maize. And eagles and snakes, and jaguars and frogs and human blood and sunshine.

Peter: People like many things.

Scampi: Yes. But we don’t build so many statues any more, do we?

Peter: I do not build statues.

Scampi: No. I could almost just drift off, in this dappled shade.

Peter: What time is it?

Scampi: I’m not sure. It’s either an hour earlier or an hour later.

Peter: I see.

Scampi: One can almost hear the gulls.

Peter: What gulls?

Scampi: From the nineteen-thirties. Calling out on an English beach.

Peter: Nonsense.

Scampi: The noises of the past are one simple eyelash away.

PETER SIGHS.

Scampi: See? That sigh wasn’t even yours. It was taken directly from the Regency Period.

Peter: You do natter on.

Scampi: Who are you, René Descartes?

Peter: I am not.

Scampi: Therefore you don’t think? Har har.

Peter: I admit the reeds are pleasant.

Scampi: I admit I don’t know what time it is. Luckily, you’re Peter and I’m Scampi.

Peter: Mm.

Scampi: Oh, look!

Peter: What’s that?

Scampi: A coracle.

Peter: How suspicious.

Scampi: Quick, let’s climb in.

Peter: Erm.

Scampi: How else are we supposed to find out which way the river flows?

Peter: By standing in it?

Scampi: We aren’t statues, Peter.

Peter: No. We are not statues.

Scampi: Right.

Peter: What are we then?

Scampi: Sailors, apparently.

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